Vortex Protocol transforms Ballhaus Prinzenallee into an uncanny Occult-Noir crime scene where Forensic Aesthetics meet Demonology. In this site-specific investigative game, the audience steps out of the dark into the role of active agents, engaging in a collective ritual of unbinding. By dismantling the patriarchal score through data mining and ritualistic crafting, they expose the hidden biases (glitches) within our social, biological, and digital systems, constructing a radical, feminist alternative. The Altar is the Network.

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Aslı Dinç is a Berlin-based artist and researcher probing the infrastructures of tech-capitalism through the lens of sci-fi narratives.Drawing on cyberfeminism and hacker/gamer culture, she crafts playgrounds as tools for resistance through an approach that utilises simulation and shape-shifting. A member of the PASAJ independent art space and Performistanbul, her work has been featured at Ars Electronica (Linz, 2023), Centre Pompidou (Paris, 2022), HKW (Berlin, 2022), and Vector Festival (Toronto, 2021).

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